Love, Links, Archives

Since the early-1970s, Wendy Clarke has expanded the possibilities of using video as a medium for artistic expression and human connection. Her projects, including the Love Tapes, The Link, and One on One, invited people from a wide range of backgrounds to share their stories, insights, feelings. Encompassing hundreds of hours of footage, from across over a dozen video formats, the Wendy Clarke collection represents a unique audiovisual archive of American life. The WCFTR is pleased to be able to share the collection–now digitized, searchable, and richly described–with new audiences, allowing the voices within it to speak to us again.

Exhibits

A Love for the Ages: Series Organization in the Love Tapes

Promotional postcard for the Love Tapes featuring 19 participants during their tapes.

Ashton Leach

The diversity of Wendy Clarke’s love tape participants makes the collection rich for researchers. When analyzing the organizational methods of the various tape series, the significance of location and age are repeatedly highlighted. By looking at the tapes through the lens of age, one can see love trends that exist for specific age groups and throughout a lifetime.

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Encountering New Media

Black and white still frame from "The Love Tapes" - A woman looks through the viewfinder of an 8mm camera and adjusts the focus

Ben Pettis

What is the relationship between technology and the self? The Wendy Clarke collection is an incredibly thorough collection of how people reacted to seeing themselves on video for the first time.

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LGBTQ Representation in Wendy Clarke’s Video Projects

A white man holding a white dog looks toward the camera

Matt St. John

Wendy Clarke’s video art from the 1970s through the 1990s portrays the queer community at a time of increased openness, alongside immense tragedy and loss caused by HIV/AIDS. This exhibit focuses on the projects that most frequently involve LGBTQ people: Love Tapes, Growing Up Gay: The Out Tapes, and Remembrance.

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About the collection

WCFTR Staff Examining Tapes

Today, Wendy Clarke’s video projects remain powerful works of art. In creating her art, she defied prior notions of media production and generated a powerful archive in the process. As the caretaker for Wendy Clarke's collection, the WCFTR completed an inventory of nearly 1,208 tapes, and in consultation with the filmmaker, identified around 900 of those tapes to be the originals and the most significant to the collection. Given the volatility of magnetic tape, digitizing these tapes was a top priority.

There are 14 unique video formats in the collection

Each format has distinct challenges for care, preservation, and digitization.

Wendy Clarke and Mare Lodu look at a bank of monitors while digitizing a tapeWendy Clarke and Mare Lodu look at a bank of monitors while digitizing a tape

In addition to thousands of hours of video, Wendy Clarke's collection at the WCFTR also includes newspaper clippings, program notes, ephemera from various events, and other paper records. As part of this project, the WCFTR has digitized a selection of these materials to make available for online viewing.

Endless Love Tapes

If you could have every person on the planet make a love tape, then you’d really know what it’s like to be human.
- Wendy Clarke
Diagram from the Endless Love Tapes Manual for recording using a camera and tripodDiagram from the Endless Love Tapes Manual for recording using a laptop computer

Early in her career, Wendy Clarke stated, “if you could have every person on the planet make a love tape, then you’d really know what it’s like to be human.” It is with this passion and belief in the benefit of providing people the space to reflect on love that Wendy’s latest project was created: The Endless Love Tapes. More than a mere expansion of the video collection, these tapes aim to take the Love Tapes worldwide in a way not previously seen.

Not only does this iteration expand geographically boundaries of the project, but it also releases the project of any temporal constraints. The Endless Love Tape's goal is to be just that– a perpetual creation of tapes, an everlasting conversation about love, and the preservation of the emotional vulnerability of everyone who has ever made a love tape gifted audiences. The Endless Love Tapes is a manual that provides strategies for continuing the production of Love Tapes without Wendy’s direct oversight. By utilizing contemporary technology, the Love Tapes can become infinite, moving us closer to Clarke's original goal of knowing the world through the people who love on it.

Many thanks to everyone who has believed in and supported this project.

National Endowment for the Humanities Department of Communication Arts Wisconsin Center for Film and Theater Research